Part of the ADI ecosystem

Templates that feed A.D.I. Hands when the plan is on fire.

We build the templates your production runs on, for ADIMATE, Figma, Photoshop and After Effects, wired to A.D.I. so the deck fills them and the checks run on them. And when there is no time to build anything, we animate the banners, cut the video and produce the statics ourselves. More than 25 years of ad production, since 2010 mostly on media plans that were already burning.

What we build
NDA on request. No client names on this page, on purpose.
Templates for
ADIMATE · Figma
Photoshop · After Effects
every one bound to the A.D.I. deck
Production
HTML5 banners · Video
Statics · DOOH
on spec, on weight, on time
Firefighting
Extinguishing media plans on fire since 2010.
Spec rejects, last-minute resizes, a language added on Friday evening, a network that changed the rules. Send the files, we take it from there.
Templates

A template is only worth having if the deck can fill it.

We build templates the way A.D.I. expects them: text layers named after the deck, artboards per size and language, brand rules where the checks can read them. The result works in the tool your team already uses and in A.D.I. at the same time.

ADIMATE

The native format. One .adi with every size as an artboard, the timeline, the library and the texts bound to the deck. Hosted in A.D.I. with its assets, so changes and exports run in the browser.

.adiHTML5 · video · staticsevery language

Figma

Components and frames named to the deck, ready for the ADIMATE plugin. Designers keep designing in Figma; A.D.I. keeps the copy in sync.

plugin-readycomponentsstatics

Photoshop

Artboards with live text layers A.D.I. can fill, packshots as smart objects, export presets per network. For the statics that still start in Photoshop.

artboardslive textpackshots

After Effects

Compositions with text layers driven from the deck through the ADIMATE script, cutdowns per format, DOOH and social sizes from one master.

.aeptext layerscutdowns · DOOH
Delivered into your A.D.I., or ready for it.

If your team runs on A.D.I., the template lands in your workspace with the brand and the checks attached. If not yet, you get the files, built so that the day you switch on A.D.I. nothing has to be rebuilt.

How we build

Five steps. The last two are the ones nobody else does.

01

Brief and master

Your master file or key visual, the sizes, the languages, the networks. Half an hour on a call is usually enough.

02

Structure

Artboards per size, layers named, animation built once, weight budget set per network before the first export.

03

Bound to the deck

Every text layer points at a deck cell. Change the deck, every size and language changes with it. No retyping, ever.

04

Checked

The template runs through Copy Check and Brand Check. What comes out matches the deck and the brandbook, frame by frame, and we have the signed report to prove it.

05

Handed over, still ours to fix

Delivered with a short guide. If a network changes its spec or the brand updates the logo, the template gets updated, not rebuilt.

Services

When you need the files, not the tools.

The same people who build the tools produce with them. Send us the media plan and the brief, and you get a quote before anything is made. ADI LINK previews and a signed check on everything that leaves.

Banner animation

HTML5 display built in ADIMATE, exported per network spec with clickTag wired and the weight under the limit.

  • Google / DCM, AdForm and local network specs
  • Resizes from one master, every language from the deck
  • Rich media and dynamic creatives on request
  • Delivered as zips and as a live ADI LINK preview

Video

From a master edit to every format the plan asks for, rendered from the same source as the banner so nothing drifts.

  • Cutdowns 6, 10, 15 and 30 s
  • Vertical, square and DOOH formats
  • Subtitles and language versions from the deck
  • Target file size per platform

Statics

Resizes, language versions and packshot swaps at the speed the plan demands, with Copy Check on every file.

  • Display statics and social sizes
  • Print-ready files for OOH and press
  • Packshot and price updates across the whole set
  • Every file measured before it leaves
Book the studio

Pick the hours. We hold them, you brief us, we confirm.

The calendar shows the next ten working days in your own time zone. A click is a request, not a booking: the slot is held for 24 hours while we read the brief, then confirmed by a person. Nothing is uploaded here. The confirmation mail is the brief thread; reply to it with the files or a transfer link.

The next ten working days

Times in
Show

Nothing selected yet. Pick one or more free slots.

Request these slots

Request the slots

Held, not booked. We read every request ourselves and come back the same working day with a quote and a delivery date.

A company address if you have one. It keeps the brief inside your own systems, which is usually what your client's compliance people want.

No files are uploaded here and none are stored here. Send material by a transfer link when you reply to the confirmation. How data is handled.

Firefighting

The plan goes live Monday. It is Friday, 17:40.

A network rejected the files. The client added a language. The agency that was supposed to deliver went quiet. This is the work we have done most of since 2010: take the files as they are, fix what is broken, build what is missing and get the set live, checked, with a report that says it is right.

Send what you have. We answer with what it takes and when it lands.

Spec rejects
Weight, clickTag, animation length, polite load. Fixed in the file, re-exported, re-checked.
Last-minute resizes
New sizes from the master, same animation, same deck, same evening.
A language added late
One more deck column, every size exported, Copy Check on all of them.
Broken or missing source
Damaged .fla, a PSD with flattened text, no source at all. We rebuild what has to be rebuilt.
Someone else's files
We pick up where the previous team stopped, in their format, and leave it tidier than we found it.